“I’ll give him your message,” said Joan. “But I don’t see him exchanging his principles even for your support. I admit it’s important.” “I took Smedley’s place at the last moment,” he whispered to her. “I’ve never been abroad before. You don’t mind, do you?”!

She stayed over the week-end; and on the Saturday, at her suggestion, they took a long excursion into the country. It was the first time she had ever asked him to take her out. He came down to breakfast in a new suit, and was quite excited. In the car his hand had sought hers shyly, and, feeling her responsive pressure, he had continued to hold it; and they had sat for a long time in silence. She decided not to tell him about Phillips, just yet. He knew of him only from the Tory newspapers and would form a wrong idea. She would bring them together and leave Phillips to make his own way. He would like Phillips when he knew him, she felt sure. He, too, was a people’s man. The torch passed down to him from his old Ironside ancestors, it still glowed. More than once she had seen it leap to flame. In congenial atmosphere, it would burn clear and steadfast. It occurred to her what a delightful solution of her problem, if later on her father could be persuaded to leave Arthur in charge of the works, and come to live with her in London. There was a fine block of flats near Chelsea Church with long views up and down the river. How happy they could be there; the drawing-room in the Adams style with wine-coloured curtains! He was a father any young woman could be proud to take about. Unconsciously she gave his hand an impulsive squeeze. They lunched at an old inn upon the moors; and the landlady, judging from his shy, attentive ways, had begun by addressing her as Madame. Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel.

“What does Madge think of him?” asked Joan. “Remember me to him,” he said. “And tell him I thank him for all those years of love and gentleness. I don’t think he will be offended.” “The Cyril Baptiste,” he answered, in a low, even, passionate voice, that he flung at her almost like a blow. “The atheist, the gaol bird, the pariah, the blasphemer, the anti-Christ. I’ve hoofs instead of feet. Shall I take off my boots and show them to you? I tuck my tail inside my coat. You can’t see my horns. I’ve cut them off close to my head. That’s why I wear my hair long: to hide the stumps.”